A contemporary rendition of the classic Elbow Chair for outdoor Living.
A contemporary rendition of the classic Elbow Chair for outdoor Living.
The Joi Twenty Chair and its fellow Joi Twenty Four, have been thoughtfully designed to create the profile of a happy, joyful object without boundaries other than the need to be practical, comfortable and user-friendly. Both these designs are a tribute to one of the greatest masters of the 20th century: Hans J. Wegner, following the guidelines of beauty, simplicity and ergonomics.
The Joi Twenty is a modern outdoor interpretation of the traditional Elbow Chair, its smooth clean lines are classic and timeless, and its modern material and construction brings this design onto a new level and the fabric seat adds another dimension. It combines all of this with advanced construction techniques which results in an aesthetically exciting yet light-weight, durable and robust outdoor chair.
Leave them outside or stack them away at the end of the day as they stack up to four pieces.
An outdoor design that excels in aesthetics and function. Lightweight and stackable this stunning outdoor dining chair breathes life and excitement into any alfresco zone. If you’re not going to make it beautiful, don’t bother.
With a relentless dedication to refinement and quality, the designer ensures each piece is not just functional, but a work of art that gracefully enhances any space. Take a closer look at the details.
Simone Viola was born in Mendrisio, Switzerland in 1985. After a rigorous training in industrial design in Milan and through his collaboration during various architectural and design studios, he began to gain experience in Switzerland and abroad. In 2011, he founded the Simone Viola Design Studio, focusing on industrial projects for furniture and accessories.
His philosophy leans towards research on the materials and technical aspects related to the development of the project, conceptually guided by historical and artistic references. This approach produces the most natural connected to contemporary design, where the object is not the expression of a trend, but a long-lasting fusion of form and the intended use.